Couvertures &  illustrations
The New Yorker

 Jacques de Loustal / 1993 - 2013 / 2020
Covers Loustal
https://fr.wikipedia.org/wiki/The_New_Yorker
https://en.wikipedia.org/wiki/The_New_Yorker

April 18, 2011 “Drawing While Waiting,” 

Le numéro du New Yorker daté 18 avril 2011 nous propose la traditionnelle couverture de Jacques de Loustal pour le Journeys Issue : “Drawing While Waiting” par Jacques de Loustal.
“Drawing While Waiting,” the cover of this week’s Journeys Issue, by the Parisian artist Jacques de Loustal, was inspired by the Amalfi Coast of Italy and captures, he says, a moment of “pure contemplation while you are sitting somewhere beautiful.” When Loustal travels, he says, he takes “two notebooks, one for sketches with a brush and one for sketches with pencils. The paper is different.”
https://www.loustal.nl/museum1378.htm

April 19, 2010

“Voyage Autour de Notre Chambre”
by Jacques de Loustal
www.loustal.nl/2020/museum2455.html

April 20, 2009

A collection of world monuments grace the cover of the April 20, 2009, issue of The New Yorker. These are the landmarks you have to see before you die—or at least, that's what people say. It may be that one becomes reincarnated as a docent at the Taj Mahal or a Qualified, Talented, Experienced, Enthusiastic, Friendly employee of Walking Tours of Pisa, thus making your travels in this lifetime pointless.
www.loustal.nl/2020/museum2449.html

3 covers, one magazine April 21 2008

Best Cover Contest 2008 Winners & Finalists
Finalist: For the “Journeys” issue, Jacques de Loustal created an innovative three-part layered cover.  >>
https://www.loustal.nl/museum1014.htm

April 21 2008 “On the Move” 

>> In “On the Move,” his adventuring couple is inappropriately dressed for each location (for example, they wear parkas and ski hats while crossing a sandy beach), but they tread through each environment with a spirit of adventure.
De Loustal’s cover nicely complemented the varied pieces within the magazine, which told stories of journeys ranging from a scare in a Manhattan elevator to a voyage through a wildlife preserve for tigers in an Indian mangrove swamp.

April 21 2008 “On the Move”


For the “Journeys” issue, Jacques de Loustal created an innovative three-part layered cover. In “On the Move,” his adventuring couple is inappropriately dressed for each location (for example, they wear parkas and ski hats while crossing a sandy beach), but they tread through each environment with a spirit of adventure. De Loustal’s cover nicely complemented the varied pieces within the magazine, which told stories of journeys ranging from a scare in a Manhattan elevator to a voyage through a wildlife preserve for tigers in an Indian mangrove swamp.

April 16 2007

16 april 2007 “Rare Birds” Jacques de Loustal
https://www.loustal.nl/museum941.htm

2009 "Loustal, Galerie de l’Alliance française
https://www.loustal.nl/museum1226.htm

May 8, 1995 : Loustal cover "Sweet Nothings" 

New Yorker cover Loustal cellphone fiddler 5/8 1995

June 13, 1994 "June Grooms" by Jacques de Loustal. 

Summary: The pose for a gay wedding photo. This whimsical cover to The New Yorker during Gay Pride Month is a refreshing reprieve simply because there is no corresponding article about the event. In New York and many other locales, Gay Pride month, along with its celebrations and parades, is simply becoming Christmas in Summer. Two Grooms at their wedding in front of their wedding cake with 2 miniature grooms on top of it.
Loustal's most talked-about publication in the New Yorker
https://www.loustal.nl/museum1875.htm

October 11, 1993 : Back in the New World cover by Jacques de Loustal.

New Yorker showing the New York skyline including the World Trade Center's North and South towers. Both are views from New York Harbor with sailboats in the foreground. 
Loustal's first publication in the New Yorker


2014 "Departure for ho Yao"  
India ink and watercolour for an unpublished cover of the New Yorker. Signed.
36,50 x 25,80 cm (14 3/s x 10 1/8 in.)

https://www.loustal.nl/museum2019.htm

2012 Jacques de Loustal " exposition d'oeuvres originales de couverture du New Yorker."
https://www.loustal.nl/museum1484.htm


Loustal illustrations for The New Yorker 2013 - 1993

2013 The New Yorker July  24, 2013

How to catch an art thief when the evidence has been torched. ill Loustal
By Betsy Morais , JULY 24, 2013
https://www.loustal.nl/museum903.htm

2013 Loustal The New Yorker July 24, 2013

Jacques de Loustal illustrait l'article Love actually dans les pages de The New Yorker dans son édition du 24 Juliet 2013
http://www.loustal.nl/museum1774.htm

Couverture: 2015 Jacques de Loustal illustrait A Vida Amorosa de Nathaniel P. – Adelle Waldman
http://www.loustal.nl/museum1775.htm

2013 Bird Foodies The New Yorker

BIRD FOODIES POSTED BY ETHAN KUPERBERG MARCH 14, 2013

The New Yorker February 14, 2013 

Portrait de Lorenzo da Ponte by Jacques de Loustal
Books: Nights At the Opera
BOOKS about librettist Lorenzo Da Ponte… Da Ponte wrote the librettos for “The Marriage of Figaro,” “Don Giovanni,” and “Cosi Fan Tutte.” But Da Ponte's contribution to Mozart's operas has often been put down to mere cleverness. This trend may be changing. Mentions several recent books about Da Ponte, including… by Joan Acocella
January 08, 2007
https://www.loustal.nl/museum983.htm

https://www.loustal.nl/museum1539.htm

The New Yorker, OCTOBER 10, 2011

THE SHANDY The cost of being a cow broker in rural India.by Akash Kapur.
https://www.loustal.nl/museum1412.htm

The New Yorker, May 30, 2011, p. 37

John Colapinto, Dept. of Food, “Strange Fruit,”  The rise and fall of açaí. Ill. Loustal
The New Yorker, May 30, 2011, p. 37
https://www.loustal.nl/museum1387.htm

The New Yorker, NOVEMBER 21, 2011

Jacques de Loustal illustre dans le New Yorker du 21 novembre 2011 l'histoire My repertoire de Calvin Trillin où l'on assiste à la pêche aux coquilles Saint-Jacques en Nouvelle Écosse. 
MY REPERTOIRE Summers in the kitchen. by Calvin Trillin NOVEMBER 21, 2011
https://www.loustal.nl/museum1423.htm

2011 The New Yorker april 11, 2011

Spots Jacques de Loustal:Brids
https://www.loustal.nl/museum1375.htm

2010 “Birdsong” The New Yorker 

Loustal, The New Yorker, 20 septembre 2010
Dans les pages du New Yorker daté 20 septembre 2010, Jacques de Loustal illustre la nouvelle Birdsong de Chimamanda Ngozi Adichie.
http://loustal.nl/museum1313.htm

2010 Spots The New Yorker & Loustal , may 17 2010

Fish
https://www.loustal.nl/museum1397.htm

The New Yorker 20-07-2009


Spots
https://www.loustal.nl/museum1397.htm

The New Yorker Online spots October , 2008

The New Yorker November 17, 2008 

One Fish, Two Fish: In pursuit of an Adriatic specialty, by Mimi Sheraton.
November 17, 2008

The New Yorker march 23 2009

Online Spots march 23 2009

 The New Yorker: May 19, 2008

spots Loustal
https://www.loustal.nl/museum1009.htm

The New Yorker March 17, 2008

spots Loustal
https://www.loustal.nl/museum1009.htm

The New Yorker: June 2, 2008

Crabs By Edwidge Danticat
Praying For Food In Haiti
https://loustal.nl/museum1026.htm

The New Yorker: June 2, 2008

Winter Light By Tobias Wolff
https://loustal.nl/museum1026.htm

The New Yorker: June 2, 2008

Mysteries Of Flight By Mohammed Naseehu Ali
https://loustal.nl/museum1026.htm

The New Yorker: June 2, 2008

Communion By Uwem Akpan

The New Yorker: June 2, 2008

Counting Pages By Allegra Goodman

The New Yorker: June 2, 2008

Hypocrites By George Saunders

The New Yorker March 3 2008

ill. Loustal: Kevin Mahogany pays tribute to Big Joe Turner, at the Jazz Standard
https://www.loustal.nl/museum1186.htm

The New Yorker January 28, 2008

Online spots January 28, 2008

The New Yorker January 21, 2008

Online spots January 21, 2008
http://www.loustal.nl/museum997.htm

The New Yorker 08-09-2008 

online spot Loustal New Yorker 08-09-2008 website New Yorker

The New Yorker july 28 2008

spot Loustal. (28 july 2008)

The New Yorker June 4, 2007

7 x Loustal `The new Yorker` april 9, 2007
loustal_in_the_new_yorker.htm

The New Yorker  15-11-2007

online spot

The New Yorker December 03, 2007

Nan, American Man
BOOKS review of Ha Jin’s “A Free Life.” A critic cannot but be impressed by the courage and intellect of the Chinese-American writer Ha Jin. Born in 1956, he volunteered for the People’s Liberation Army (P.L.A.) at the age of fourteen and served five and a half years. After…
by John Updike
https://www.loustal.nl/museum983.htm

The New Yorker November 26, 2007


Jazz: Back to Bossa
JAZZ about Bossa Nova singer Rosa Passos. Writer gives a brief history of Bossa Nova music, which celebrates its fiftieth anniversary next year, noting the distinction between the watered-down, easy-listening version that was imported to the United States and epitomized by Astrud Gilberto’s “The Girl from Ipanema,” and…
by Gary Giddins
https://www.loustal.nl/museum983.htm

The New Yorker July 23, 2007

There She Blew
BOOKS review of “Leviathan” (Norton; $27.95) by Eric Jay Dolin. Writer considers what the modern equivalent of whaling might be: the oil industry, fire fighting, or the armed forces. None seem perfectly analogous. There is no shortage of whaling histories for a Melville aficionado to turn to. In the…
by Caleb Crain
https://www.loustal.nl/museum983.htm

The New Yorker January 08, 2007 ( + 2013)

Nights At the Opera
BOOKS about librettist Lorenzo Da Ponte… Da Ponte wrote the librettos for “The Marriage of Figaro,” “Don Giovanni,” and “Cosi Fan Tutte.” But Da Ponte's contribution to Mozart's operas has often been put down to mere cleverness. This trend may be changing. Mentions several recent books about Da Ponte, including…by Joan Acocella
https://www.loustal.nl/museum1539.htm

The New Yorker June 4, 2007

Online spots June 4, 2007
https://www.loustal.nl/museum965.htm

The New Yorker April 2, 2007 

Strauss In Space By Alex Ross Strauss’s “Die Agyptische Helena” At The Met
https://www.loustal.nl/museum983.htm
https://www.loustal.nl/museum964.htm

The New Yorker February 05, 2007


Musical Events
Toward Silence
MUSICAL EVENTS about Japanese composer Toru Takemitsu… Tells about Takemitsu hearing Lucienne Boyer’s “Parlez-Moi d’Amour” while stationed, at the age of fourteen, in a mountain fortress near Tokyo during the Second World War. Ever after, he honored the moment as the birth of his musical consciousness. Takemitsu died in…
by Alex Ross
https://www.loustal.nl/museum983.htm

The New Yorker 30 July 2007

spots loustal New Yorker 30 July 2007
https://www.loustal.nl/museum970.htm

The New Yorker  January 15, 2007

Books
Bombay Noir
BOOKS review of Vikram Chandra’s “Sacred Games.” In Vikram Chandra’s new novel “Sacred Games” (HarperCollins; $27.95), Ganesh Gaitonde, a kind of Bombay Al Capone, expresses contempt for the English-speaking classes. Describing the exploits of Gaitonde and his determined pursuer, Sartaj Singh, a Bombay cop, Chandra’s intensely ambitious 900…
by Pankaj Mishra

https://www.loustal.nl/museum983.htm


Série de cul de lampes pour le New-Yorker 2006
21 x 29,7 cm

The New Yorker February 28, 2005 (2020)

1 illustration couleur pour un article sur "Nature's bioterrorist"
&
The New Yorker febr. 21  2020 
https://www.loustal.nl/2020/museum2443.html

The New Yorker Septembre 19, 2005

2005 Loustal The New Yorker Septembre 19, 2005
https://www.loustal.nl/museum1773.htm

The New Yorker Mars 2005

The New Yorker DECEMBER 6, 2004

Loustal: 1 illustration couleur 17,8 x 25 cm pour un article "The life of Django Reinhardt"
https://www.loustal.nl/museum768.htm

The New Yorker February 16, 2004

A illustration couleur pour 'Sentimental Re-education' The cerebral experimentalist gets personal. By John Updike. February 16, 2004
(p: 195) - 10,5 x 14,5
Sentimental Re-Education. Two new books address the old subjects of love and lust. By Judith Thurman. February 9 or 16 , 2004. 
https://www.loustal.nl/2020/museum2438.html

The New Yorker June 9, 2004

1 illustration couleur pour 'Anals of aviation : The light stuff' après la disparition de Bernard Loiseau (p: 68-69) - dim : 25 x 24,3
http://www.loustal.nl/museum1772.htm

The New Yorker May 12, 2004 (no ill. loustal)

????
1 illustration couleur pour 'Death of a chef' après la disparition de Bernard Loiseau
(p: 61) - dim : 11 x 16

The New Yorker 15-12-2003

Knight’s Gambit The sacred profanity of “Don Quixote.” By James Wood
December 15, 2003 (p: 149) - 17,5 x 24,5
https://www.loustal.nl/museum775.htm

The New Yorker April 14, 2003

1 illustration couleur pour The current cinema "Monstres sacrés "Cet Amour-là" and "fellini: I'm a Born Liar" by David Denby
The movie that Josée Dayan has made about the Marguerite Duras- Yann Andréa affair is not a scandal. dim : 11,5 x 7 p. 89
http://www.loustal.nl/museum2029.htm

The New Yorker March 24, 2003

1 illustration couleur pour ''Stone of the heart' by Edna O'Brein A novel of love and war in Zimbabwe, p: 83 - 5,5 x 10,5
https://www.loustal.nl/museum2028.htm

The New Yorker September 23, 2002

1 illustration couleur pour ''Where's Willy ?' 
(p: 57) - 18 x 17,5
https://www.loustal.nl/museum1907.htm

The New Yorker August 19, 2002

'First tates' - 5 x illustrations couleur :
'A sandwich', (p: 139) - 5,5 x 8
'As the french do', (p: 142 - 5,5 x 9 & p : 143 - 11,5 x 6)
'Sweet Memory', (p: 149) - 5,5 x 9
'The domestic male', (p: 155) - 5,5 x 98,5
https://www.loustal.nl/museum767.htm

The New Yorker December 24, 2001

3 illustrations couleur pour :
'My mother', memory by Amy Tan (p:82) - 17 x 24
'Visiting George', memory by Nadine Gordimer (p:88) - 11,5 x 16
'Paris diary (1922)', memory by Marvis Gallant (p: 102) - 11,5 x 11,5

The New Yorker July 23, 2001

Letter from Cambodia, 'Home for dinner' by Molly O'Neill, The New Yorker, July 23, 2001, p. 54 - 63
illustration couleur 25 x 24 cm
http://www.loustal.nl/museum2030.htm

The New Yorker  April 12, 1999

Corneille’s ‘Le Cid’, at BAM’s Majestic Theatre, illustration couleur (8,2 x 9,8)
https://www.loustal.nl/museum572.htm

The New Yorker Jan 26, 1998

The New Yorker, ISSN 0028-792X, 26-01-1998, 1/26/98 Jacques de Loustal's Travel Notebook Bésame Mucho, p. 74-75.
https://www.loustal.nl/museum571.htm

The New Yorker August 25, 1997

Fiction
French Postcards  
Two-page color spread of a Jacques de Loustal painting titled "Le Contemplatif." The spread shows a man dressed in a white suit and seated in a chair staring at the bottom of a naked woman who is lying on a blue bed. There is a red screen behind her…
by Jacques de Loustal
https://www.loustal.nl/loustal_in_the_new_yorker.htm

The New Yorker, Jan 15, 1996

'Homesick Restaurant', illustration couleur (10 x14)  p.37 ill. : Jacques de Loustal
https://www.loustal.nl/museum570.htm

The New Yorker, Jan 15, 1996

Homesick Restaurant', illustration couleur (10 x14) p.37 ill. : Jacques de Loustal
https://www.loustal.nl/museum570.htm

????????
26/12/94
'This Side of Paradise', illustration couleur (10,5 x 5,5) pour un article consacré à la cuisine Toscane

The New Yorker, Jan 30, 1995

SKETCHBOOK showing the American Center in Paris. Frank Gehry's building, an alluring neighbor to the controversial National Library, the last of Mitterand's "grands projets," is drawing big crowds.

https://www.loustal.nl/museum569.htm

The New Yorker Sept 26, 1994

Sketchbook: Cinema City by Jacques de Loustal, p. 79.
https://www.loustal.nl/museum568.htm

The New Yorker June 13, 1994

June Grooms" by Jacques de Loustal. 
https://www.loustal.nl/museum1875.htm

The New Yorker November 10, 1993

'Back in the New world'
Loustal's first publication in the New Yorker
https://www.loustal.nl/loustal_in_the_new_yorker.htm

THE NEW YORKER

Venerable weekly magazine established in 1925 as a venue for now-legendary wits like Dorothy Parker, Robert Benchley, and (slightly later) James Thurber. The New Yorker went through a mere three editors in the subsequent 66 years, during which time its unimpeachable literary standards and sophisticated cartoons claimed a unique place in the genteel culture of East Coast WASPs.

In 1985 mighty media man S.I. Newhouse bought the magazine; in 1992 he handed its editorial reins to Tina Brown, the high-powered Briton who had famously salvaged the 1984 relaunch of Vanity Fair. Many feared that Brown's celebrity- and advertiser-friendly predilections would coarsen The New Yorker's tone, and they were not reassured by the introduction of full-page photographs, ad-rich theme issues, and pious chronicles of the lives of media moguls. Brown, who quickly raised The New Yorker's profile, circulation, and spending, claimed fidelity to the irreverent spirit of magazine founder Harold Ross. Suspicions of professional favor trading between Brown and her husband, Random House head Harry Evans, abound; the couple claims they are more prone to competition than collusion.

When Tina Brown became the editor of The New Yorker, she hired Raw co-founder (and Art Spiegelman's wife) Françoise Mouly as the new art director. The magazine soon became friendlier to comic book and strip artists, both European (Mattotti, Götting, Swarte & Loustal) and American.

The New Yorker is a weekly magazine dedicated to ideas. It is timeles and immediate, energetic and thoughtful, serious and funny. The New Yorker is about good writing, a point of view, and a deeper understanding of the world. A "typical" issue of The New Yorker contains an eclectic mixture of political and business coverage, social commentary, fiction, humor, art, poetry, and criticism. Contributors to The New Yorker include both recognized talents of long standing and newly discovered voices.


An Extremely Preliminary Look at Comics Artists in The New Yorker

Version 3.1, 5/27/1998
by Michael Rhode


When Tina Brown became the editor of the New Yorker in October, 1992, comics artists began working for the magazine. According to Dave Mazzucchelli (Comics Journal 194, p. 72), "When Tina Brown became the editor, the art director, Chris Curry, was able to start using a lot of artists she'd always wanted to use, but hadn't been able to, including artists from RAW and other odd comics." Brown hired Raw co-founder (and Art Spiegelman's wife) Françoise Mouly as the new art director. The magazine soon became friendlier to comic book and strip artists, both European (Mattotti, Götting, Swarte & Loustal) and American. Not everyone seems happy with the reworked magazine; Bill Griffith, who has worked for them, used his Zippy strip on August 2, 1997 to satirize the magazine. Zippy's daughter, Meltdown wanted to see a cartoon on every page of the New Yorker, and Zippy asked, "But then, where would they put all th' deep, insightful articles on O.J. and th' lastest fashions, Melty?" Meltdown suggested, "Maybe in th' National Star or Cosmo, Daddy!" Griffith returned to his theme on April 2, 1998, with a strip character saying, "This isn't about cartoons, Bob. It's about ad revenue!"

This is an index based just on what I've noticed; I haven't looked through every issue to find every piece. In fact, there might be additional artwork in the issues I've listed here. I'd be glad to hear of any corrections or additions. Additions by Chris Pyle of the University of Kentucky marked with a *. Mark Nevins pointed out that Götting's work began appearing in issues in the fall of 1996.

He also notes that European artists (Philippe) Petit-Roulet, Pierre Clement (who signs his work with a small p inside a large C much like the copyright symbol), Dupuy-Berberian, Walter Minus, and possibly Lionel Koechlin among others have done small uncredited drawings. Bart Beatty highlighted Max's work. Alec Stevens pointed out his own work. My memory is telling me that a Peter Kuper

Masks piece appeared, but I couldn't find it. "#" marks the additions or changes made for the current version. Argentinian comics artist "Nine" apparently had a caricature of Bill Clinton sometime in 1997-1998 and I'm trying to find the exact date. As this has grown quite long, I've provided an artist's cross-reference at the end.